7/28/15

Edward Winsor Kemble, Death's Laboratory






























































 Illustration from Collier's Magazine; 1906

Quackery refers to unproven or fraudulent medical practices, often through the sale or application of "quack medicines". The word "quack" derives from the archaic Dutch word "quacksalver," meaning "boaster who applies a salve." A closely associated German word, "Quacksalber," means "questionable salesperson ." In the Middle Ages the word quack meant "shouting". The quacksalvers sold their wares on the market shouting in a loud voice.

Quack medicines were especially prevalent in the British Empire for centuries, including in the American colonies. Following the American Revolution and the War of 1812, American products began to dominate the domestic market. The American term for quack medicine was "snake oil", a reference to sales pitches in which the sometimes outrageous claims of medicinal successes were attributed to the exotic ingredients of their product. Those who sold them were called "snake oil peddlers" or "snake oil salesmen". These opportunists often used enthusiastic and deceptive sales techniques, including "fire and brimstone" sermons, theatrical productions, and confidence tricks. These salesmen often skipped town before the scam was fully discovered. In American literature, Huck Finn encounters two such grifters during his rafting expedition into the South in Mark Twain's The Adventures of Huckleberry Finn. In the end, they are tarred and feathered and run out of town. Others manufacturers found success through of the noble savage stereotype of the American Indian in product names and advertising.

The Quack medicine trade eventually became a victim of the Progressive movement's efforts to regulate business. Muckraking Journalist Samuel Hopkins Adam excoriated the industry in a series of articles titled "The Great American Fraud", published in Colliers Weekly starting in late 1905. On February 21, 1906, President Theodore Roosevelt signed the Pure Food and Drug Act. Some quacks were enormously successful. German immigrant William Radam started selling "Microbe Killer" throughout the United States in the 1880s. His project claimed to "Cure All Diseases," and even embossed the promise on the glass bottles in which the medicine was packaged. In fact, Radam's medicine was a therapeutically useless (and in large quantities actively poisonous) dilute solution of sulfuric acid, colored with red wine. Quack medicines often had no effective ingredients, while others contained morphine or laudanum, which numbed rather than cured. Some did have medicinal effects; for example mercury, silver and arsenic compounds may have helped some infections, willow bark contained salicylic acid (substance very similar to aspirin), and quinine from bark was an effective treatment for malaria. Knowledge of appropriate use and dosage was poor. New regulations required the removal of the more outrageously dangerous contents from patent and proprietary medicines, and forced quack medicine proprietors to stop making some of their more blatantly dishonest claims.
In 1911, the reformers suffered a setback when the Supreme Court ruled in United States v. Johnson that the prohibition of falsifications referred only to the ingredients of the medicine. Companies were again free to make false claims about their products. Adams returned to the attack with another series of articles in Collier's Weekly, and a collection of his essays were published by the American Medical Association in 1912. That same year, congress responded by so U.S. v. Johnson with the Sherley Amendment to the Pure Food and Drug Act, which prohibited labeling medicines with false therapeutic claims intended to defraud the purchaser (a standard difficult to prove). Two years later, congress passed the Harrison Narcotic Act, imposing limits on the amount of opium, opium-derived products, and cocaine allowed in products available to the public. The law also required prescriptions for products exceeding the allowable limit of narcotics, and mandated increased record-keeping for physicians and pharmacists that dispense narcotics. Congress would again take up the issue during the New Deal legislative sessions of the 1930s.

With the advent of electricity in the United States in the first decades of the 20th Century, Quack electrical devices also were widely manufactured. Most devices used mild electrical current or ultraviolet light and, like their liquid and pill counterparts, promised a multitude of cures.

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Walter Appleton Clark, Haloed Joan of Arc (?) on horse with lion flag leading army







































Library of Congress Prints and Photographs Division Washington, D.C.

Date: 1890-1906
Technique: Watercolor

Published as cover of Collier's weekly

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7/27/15

Walter Appleton Clark, Grim reaper against red sunset












Library of Congress Prints and Photographs Division Washington, D.C.

Date: c. 1905
Technique: Drawing

Published as tailpiece in: "For the Blood is the Life" by F. Marion Crawford, Collier's weekly (Dec. 16, 1905), p. 20.

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Walter Appleton Clark, Man playing chess with grim reaper
















Library of Congress Prints and Photographs Division Washington, D.C.

Date: c. 1906
Technique: Drawing

Published as headpiece in: "At Ephesus" by Georgia Wood Pangborn, Collier's weekly (Feb. 17, 1906), p. 16.

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The Seventh Seal (Det sjunde inseglet); Ingmar Bergman, 1957

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Johann Peter Hasenclever, Die gestörte Nachtruhe


























Date: 1853
Technique: Oil on canvas, 36.5 x 31.5 cm

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Johann Peter Hasenclever, Singing Watchman (Singender Nachtwächter)



















Date: c. 1850
Technique: Lithograph

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Bruno Schulz, The Beasts (Bestie)







































Muzeum Literatury im. Adama Mickiewicza w Warszawie

Date: 1920-22
Technique: Cliché verre, 22.5 x 17 cm

Illustration from The Book of Idolatry.

Before Shulz turned to literature he proved himself a successful visual artist (he was self-taught, never having completed the technical studies he embarked on, first in Lviv, then in Vienna). Using the rare printing technique of cliche-verre, he produced, among others, a series of drawings that focused on the subject of sadomasochism, amassed in a portfolio titled Xięga Bałwochwalcza / The Book of Idolatry (c. 1920). Stanisław Ignacy Witkiewicz was one of the first to praise the works from this portfolio, classifying their author as a "demonologist." Most of these consist of grotesque scenes in which women dominate men, the latter consenting to their role of subordinate beings, adoring the women in all possible ways and ultimately raising altars in their praise. In these works, Schulz draws a close link between female sadism and male masochism.

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7/26/15

Arnold Böcklin, Tombstone

























Date: c. 1880
Technique: Unknown

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Edgar Degas, Melancholy




















The Phillips Collection, Washington, D.C.

Date: Late 1860's
Technique: Oil on canvas, 9.75 x 7.5 in.

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John Duncan, The Challenge






















Date: c. 1934
Technique: Oil on canvas with tempera, 51 x 61 cm

There are two other versions of this painting. One is in the City of Glasgow collection (Kelvingrove Art Gallery & Museum): it is called Force and Reason and was painted in 1939. The other is in the City of Edinburgh collection and is called The Challenge and was painted in 1934. It was exhibited at the Society of Eight in 1934. This painting is the same size as the Edinburgh piece while the Glasgow piece is larger.

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